Sacred Ground:
Historic Churches Near Center Hill Lake
Faith, architecture, and two hundred years of community — on the doorstep of The Little Lake House
Before there were marinas or paved highways or a lake at all, the most important buildings in DeKalb County were its churches. They rose from clearings hacked out of hardwood forest by settlers who had walked overland from Maryland and Virginia and the Carolinas with little more than their tools, their families, and their faith. Some of those churches are still standing. A few are still holding services. And driving out to find them — down the county roads that radiate from Smithville and Liberty and Alexandria — is one of the most quietly rewarding things you can do from The Little Lake House.
This guide covers the history, the stories, the architecture, and what to look for when you get there. You don't need to be religious to find these places profound. You just need to be curious.
To understand DeKalb County's churches, you first need to understand how religion worked on the Tennessee frontier. When the first settlers arrived in what would become DeKalb County around the turn of the 19th century, there were no church buildings. Services happened wherever there was space: in settlers' homes, under stand of trees, in rough log structures that served as schools during the week and sanctuaries on Sundays.
The first denominations to reach Tennessee were the Baptists and the Methodists, who sent circuit riders — itinerant preachers on horseback — deep into the backcountry. These men covered enormous distances, often arriving at a settlement once a month or less. The congregation would gather, hear a sermon, witness a baptism or two, and then the preacher would ride on. Between visits, the community sustained itself. Faith, in this context, was not a Sunday institution — it was a survival tool, a social bond, the thing that gave scattered settlers a shared identity in an unfamiliar landscape.
Presbyterians followed, bringing with them a more educated and formal tradition rooted in the Scottish and Scots-Irish communities that dominated the early migration from the coastal South. The Cumberland Presbyterian Church — a distinctly American offshoot of Presbyterianism that relaxed the strict educational requirements for ministers to meet the needs of the frontier — was organized in Dickson County, Tennessee in 1810 and spread quickly through the region. You will find Cumberland Presbyterian churches throughout DeKalb County, their names often carried in the surnames of the settler families who built them.
"Such was his life that he was not molested by either side during the war, though the antagonisms of that struggle brought something like chaos to the country. Hundreds of ex-soldiers listened to him, forgot heart bitternesses, and took the straight and narrow way."
— County historian writing of Reverend Nathaniel Hays, Baptist minister, DeKalb County, circa 1870What makes the religious history of DeKalb County especially interesting is how closely it mirrors the county's divided Civil War loyalties. Unlike much of the Deep South, where churches largely aligned with the Confederacy, this county — which sent nearly as many men to fight for the Union as for the Confederacy — had congregations on both sides of the conflict. Several ministers, like Reverend Nathaniel "Natty" Hays of Salem Baptist Church, became figures of legendary moral authority precisely because they refused to take sides, ministering to ex-soldiers of both armies in the bitter years after the war.
A Short Guide to Church Architecture You'll See in DeKalb County
Knowing these four styles will help you read a building like a text.
Vernacular / Log
The oldest and most honest form: simple rectangular log or frame box, gabled roof, minimal ornament. Function over form. If a building looks like it might once have been a barn, it's probably vernacular. These are the churches built by people with no money and a lot of faith.
Greek Revival
Popular 1820s–1860s. Symmetrical facade, classical columns or pilasters, triangular pediment above the entrance. Inspired by ancient Greek temples, which 19th-century Americans associated with democracy and civic virtue. Especially favored by Presbyterians. Look for a temple-like front elevation and formal symmetry.
Gothic Revival
Popular 1840s onward. Pointed arched windows (the lancet arch), steeply pitched roofs, sometimes a bell tower or spire. Intended to evoke the great medieval cathedrals of Europe, with their sense of upward reach and mystery. Favored by Episcopalians, Methodists, and Catholics in the Victorian era. Even modest rural versions have a distinctive verticality.
Carpenter Gothic
A distinctly American adaptation — Gothic forms executed in wood rather than stone by local craftsmen using pattern books rather than professional architects. Pointed windows, steep gables, decorative woodwork ("gingerbread") along the eaves. Affordable Gothic. This is the most common 19th-century church style you'll encounter in rural Middle Tennessee.
Stop One · Liberty, TN · ~10 miles
Salem Baptist Church & Cemetery
Salem Baptist Church in Liberty is the oldest continuous congregation in DeKalb County — and one of the most consequential. Its story begins not in DeKalb at all, but in Kentucky, with a Maryland-born farmer named Cantrell Bethel who crossed the state line to join a Baptist congregation because there simply were no Baptists where he lived.
Bethel returned from Kentucky a converted man, gathered a band of fellow believers, and began his ministry. He constituted a church on Brush Creek in Smith County on May 29, 1802, and then — securing what the old church records call an "arm" from that congregation — established Salem Church at Liberty in August 1809, with thirty-one founding members. The first building was a log structure, 25 by 30 feet. Modest by any measure, but substantial for a frontier settlement. The congregation sat on rough benches, the preacher stood at a simple wooden pulpit, and outside the windows the forest came right up to the walls.
That first log building was replaced by a frame structure around 1849, and then again by the current building around 1880 — a 40-by-70-foot frame church that stands today as part of Liberty's National Register Historic District. By 1902, Salem's membership had grown to 321 — a remarkable figure for a rural county. The cemetery beside the church is the largest in DeKalb County and holds the graves of many of the men and women who built the county: the Dales, the Fites, the Bethels, the Givans. Reading the stones is its own kind of history lesson.
One figure buried here deserves special attention: Reverend John Fite, who arrived in DeKalb County from Maryland and was originally a Presbyterian minister. In 1812, he converted to the Baptist faith and became one of the county's most prolific preachers, dying near Liberty in 1852 at around 93 years old. Fite helped constitute and pastor multiple congregations across the county over a ministry that spanned four decades of frontier Tennessee history. His descendants — the Fite family — appear in the church records at every level: deacons, clerks, ministers, and lay members, for generation after generation.
What to Notice Architecturally
Salem Baptist's current frame building represents the mature stage of vernacular Southern Baptist church design: gabled roof, symmetrical facade, plain windows, a projecting entrance bay. There is almost no ornament — no columns, no Gothic arches, no steeple of any grandeur. This restraint is itself a theological statement. Baptist theology in the 19th century was suspicious of Catholic and Anglican pomp; the plainness of the building was meant to say that what mattered happened inside, not on the surface. The cemetery, spreading wide beside and behind the church, is arguably as important architecturally as the building itself — a carefully organized landscape of lives that tells you, stone by stone, who built this county.
Stop Two · Alexandria, TN · ~15 miles
Seay Chapel United Methodist Church
Seay Chapel United Methodist Church in Alexandria holds a distinction that is almost impossible to overstate: it is the only building in DeKalb County with a direct, documented connection to one of the most important works in American literary and intellectual history.
In the summers of 1886 and 1887, a young W.E.B. Du Bois — then a student at Fisk University in Nashville, later to become the Harvard-educated co-founder of the NAACP — came to this part of Tennessee to teach school. He found his students a few miles from Alexandria, thirty African American children whose classroom was a log corn crib. During those summers, Du Bois attended services at Seay Chapel. What he experienced inside — the power of Black faith, the way a congregation could hold suffering and joy simultaneously, the preacher's voice moving through a room — became central to The Souls of Black Folk, the 1903 masterwork that changed how Americans understood race.
Seay Chapel was built as a congregation of African American Methodists in the decades after the Civil War, a period when the Methodist Episcopal Church, South, formally split from the northern branch over the issue of slavery. Freed Black Tennesseans, no longer welcomed in the white Methodist congregations they had sometimes been permitted to attend during slavery, formed their own churches — and those churches became the institutional backbone of Black community life in the Jim Crow era. Seay Chapel was one of them.
The building itself is a simple, white-painted frame structure — vernacular in every sense: no architect, no pattern book, built by the congregation with materials at hand. But its simplicity is misleading. This is a building that contained something large enough to help shape one of the most consequential minds in American history.
"There were thirty of them, on the rough benches, their faces shading from a pale cream to a deep brown, the little feet bare and swinging, the eyes full of expectation."
— W.E.B. Du Bois, describing his students near Alexandria, in The Souls of Black Folk, Chapter FourSeay Chapel is now listed on the National Register of Historic Places and serves as a community gathering space. Visiting it — standing at the threshold of that small white building in that quiet town — and knowing what passed through it is an experience that doesn't require any particular religious belief. It only requires the willingness to be moved by a place.
What to Notice Architecturally
Seay Chapel is a textbook example of what historians call the African American vernacular church: a modest, gable-fronted frame building, white-painted, with symmetrically placed windows and a projecting entrance. The style echoes the vernacular Baptist and Methodist churches built by white congregations across the region, which is itself significant — African American congregations were building in the same tradition, asserting a shared claim on the landscape. Note the proportions: the building is taller relative to its width than most domestic structures, giving it an unmistakable vertical emphasis even without a prominent steeple. That height is not accidental. It is the architecture of aspiration.
Stop Three · Smithville, TN · ~7 miles
First United Methodist Church, Smithville
The Methodist congregation in Smithville was formally constituted on August 25, 1844, with fourteen founding members — the first organized Methodist congregation in what was then a young county seat. For more than a decade the congregation met without a permanent building, gathering in homes and provisional spaces until 1848, when they erected the first purpose-built church in Smithville: a brick structure that stood as the most substantial building in town at the time. A frame building replaced it in 1856, and the congregation has grown and rebuilt since.
The early history of this congregation reads like a chronicle of the county itself. Its first long-serving pastor, Jesse Allen, held the pulpit from 1847 to 1860 — guiding the congregation through the turbulent years leading up to the Civil War. His successor, Hall Bethel, served from 1860 to 1870, which means he was preaching in Smithville as the county divided against itself, as men from the same congregation went off to fight on opposite sides, and as the community tried to hold together in the aftermath. The Methodist minister in a county seat in those years was not simply a religious figure — he was a community anchor, a moral authority, sometimes the only voice that could speak to the entire community without being dismissed as partisan.
The Methodist tradition in Tennessee has always been more formal than the Baptist one, and the architecture of Methodist churches generally reflects this. Where Baptist churches emphasized plainness and the interior word, Methodist churches in the Victorian era increasingly embraced the Gothic Revival style — pointed arches, decorative brickwork, a bell tower if funds allowed. Visit the First United Methodist Church in Smithville and you see this impulse expressed in a county-seat context: a congregation that began in someone's living room, constituted itself as a formal body, built in brick when brick meant permanence, and has maintained its presence at the center of Smithville's civic life for nearly two centuries.
A Note on Methodist Architecture
The Methodist movement was founded in 18th-century England by John Wesley, who began preaching outdoors and in fields because the Church of England would not give him a pulpit. The early Methodist tradition therefore had an ambiguous relationship with formal architecture — the building mattered less than the Word and the community. As Methodism became more established through the 19th century, this changed. Victorian Methodist churches increasingly adopted the Gothic Revival style, which carried associations of spiritual seriousness and institutional weight. In a county-seat context like Smithville, the Methodist church building was also a civic statement: proof that the congregation had resources, permanence, and standing in the community.
Stop Four · South of Alexandria · ~18 miles
New Hope Baptist Church
Not all of DeKalb County's historic churches announce themselves with grand architecture or National Register plaques. Some of the most historically significant are quiet buildings on rural roads, known mostly to the descendants of the families who built them. New Hope Baptist Church, south of Alexandria, is one of these.
New Hope was established by Reverend William Dale, who began preaching at the home of Thomas Finley in 1818 and constituted the church with eighteen founding members — a remarkably small beginning for what would become a long-lived congregation. Dale was one of the county's founding figures: his father, Adam Dale, had been DeKalb County's first settler, arriving from Maryland in 1797 and building the first mill on Smith Fork Creek. The family's commitment to both civic and religious life runs through the county's early records like a thread — Adam Dale was the first clerk of Salem Baptist Church; his son William became one of its ministers.
The significance of a church like New Hope is not its building — which has been rebuilt and modified over the decades — but its role as a community anchor across time. For rural congregations in 19th-century Tennessee, the church was where neighbors gathered not just for worship but for everything else the community needed: weddings, funerals, debates, education. The church cemetery is where the community's memory was kept. When you visit a rural church like New Hope and stand in its cemetery, you are standing in the county's living archive.
A Story Worth Knowing · Dismal Creek, North of Liberty
Cooper's Chapel: The Church Named for a Mexican War Veteran
Cooper's Chapel Baptist Church on Dismal Creek has one of the more unusual origin stories in the county. The site had been home to a log church called Goshen since 1821 — constituted by Cantrell Bethel and John Fite, the same men who built the county's earliest Baptist institutions. But Goshen generated little lasting interest and dissolved in 1837. For decades, the Methodists dominated the spiritual life of the Dismal Creek neighborhood.
Then, in 1879, a Baptist minister named Reverend J.C. Brien began preaching in the area. A congregation took shape and in 1880, Cooper's Chapel was constituted with nine members. The church was named for Isaac Cooper — a Mexican War and Confederate veteran who had, by this point, actually left the Methodists and joined the new Baptist congregation. The naming of the church after Cooper was, in a sense, an act of gratitude: it was largely his effort that had made the building possible, even though he wasn't the preacher and wasn't a founding member by denomination.
This kind of story — the church named for the man who built it rather than the man who preached in it, the veteran whose denominational allegiance shifted but whose community loyalty didn't — is typical of how religious life actually worked in rural DeKalb County. It was messier and more human than the clean denominational histories suggest. People followed preachers they trusted, moved between congregations, and built churches with whoever showed up with a hammer.
Why So Many Denominations? A Brief Explanation
A visitor driving the roads of DeKalb County might notice that for a relatively small rural county, there are a striking number of church buildings — Baptist, Methodist, Cumberland Presbyterian, Church of Christ, Primitive Baptist, and more — often clustered within a few miles of each other. Why so many, and why such variety?
The short answer is that American Protestantism has always been fiercely democratic and therefore fiercely fractious. Every congregation in the 19th century was essentially self-governing. If a group of members disagreed with their preacher, or with a doctrinal decision by the broader denomination, or simply preferred a preacher who lived closer to them, they could — and often did — form a new congregation. The county's historical records show this happening repeatedly: an "arm" of one church branching off to form another, a congregation dissolving and reforming under a new name, a debate over doctrine leading to a split.
The Primitive Baptists, sometimes called "Hardshell" Baptists, are a particularly interesting example. They rejected the missionary movement that swept American Protestantism in the early 19th century — the idea that churches should fund and send missionaries to spread the Gospel — on the theological grounds that if God has already ordained who will be saved, human missionary effort is irrelevant and potentially prideful. DeKalb County's Primitive Baptist congregations — including the Bildad and New Bildad churches south of Smithville — maintained this older, more austere tradition well into the 20th century. Their services were and often still are unaccompanied by musical instruments, and their theology is among the most rigorously Calvinist to be found anywhere in American Christianity.
The Church of Christ, which has a strong presence throughout Middle Tennessee, emerged from the same early 19th-century Restoration Movement that also produced the Christian Church and the Disciples of Christ. Its founders — Barton W. Stone in Kentucky and Alexander Campbell in Virginia — wanted to set aside all denominational labels and creeds and restore what they saw as the simple Christianity of the New Testament. Like the Primitive Baptists, Church of Christ congregations traditionally reject instrumental music in worship, believing it has no basis in the New Testament. In a county where music is central to public life — where the Fiddlers' Jamboree is the signature cultural event — this tradition of sacred silence represents a striking counterpoint.
The County's Religious Timeline at a Glance
- 1802 — Cantrell Bethel constitutes the first Baptist church in the Liberty area at Brush Creek, Smith County
- 1809 — Salem Baptist Church established at Liberty with 31 members, the oldest continuous congregation in the county
- 1818 — New Hope Baptist Church established south of Alexandria by William Dale
- 1821 — Goshen Baptist Church constituted on Dismal Creek by Bethel and Fite
- 1844 — First Methodist congregation constituted in Smithville with 14 members
- 1848 — First church building erected in Smithville, a brick Methodist structure
- 1851 — Mount Zion Baptist Church established near Temperance Hall
- 1871 — Sycamore Fork Church established, eventually the county's largest Baptist congregation
- 1880 — Cooper's Chapel Baptist constituted on Dismal Creek
- 1880s–1890s — Seay Chapel United Methodist Church serves Alexandria's African American community; W.E.B. Du Bois attends services
- 1887 — Alexandria Baptist Church organized following a doctrinal debate; first building later struck by lightning
- 1914 — New Alexandria Baptist church building constructed on the ruins of the original
The churches of DeKalb County are not museum pieces. Most of them are still holding services, still burying their dead in the cemeteries that have grown up beside them over two centuries, still doing the work that frontier congregations began when the county was nothing but forest and creek bottoms and the faith of people who had walked a very long way to get here.
When you drive past a white frame church on a county road and see the parking lot full on a Sunday morning, or pass a cemetery where the oldest stone dates to 1815, you are looking at an unbroken thread. These buildings are not relics. They are the county's longest-running institutions — older than the courthouse, older than the schools, older than the lake. They have survived the Civil War, the floods before the dam, and the long demographic shifts of the 20th century. They are still here.
That is worth a detour.
Use The Little Lake House as your base for exploring DeKalb County's extraordinary past.
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